premiere at Kiasma-theatre, September 2015
“What do haloes tell about our physical and political being in the world?”
Of Haloes is a performative happening, which creates connections to the different spheres that are our bodies and surround, penetrate and create our bodies. Spheres that are permiable, everchanging and porous. Social, political, mystical, resonating, in-between spheres .We investigate the possibilities of diverse, polyphonic stage: not looking for harmony but rather a shared, simultaneous, connected being-in-the-world.
Of Haloes – The Politics of Perfection is a performance that allows you to listen to a concert, have tea backstage, be present/absent, dream, and learn to see haloes.
Working group:
Concept: Aune Kallinen
Concert: Laura Murtomaa, with guests Heikki Laitinen, Tuomas Norvio and Jonathan Hilli
Lighting and set design: Jani-Matti Salo
On stage: Arttu Palmio, Laura Murtomaa, Jenni Koistinen, Ragni Grönblom- Jolly, Hanna Ahti, Gesa Piper, Aune Kallinen, Laura Murtomaa and the man choir D25: Daniel Nyman, Jonathan Hilli, Nicolas Rehn, Eeti Nieminen and Ville Kabrell
Singing with the trees, Tampere: Katri Puranen
The northern sphere: Katariina Angeria
http://gamla.hbl.fi/kultur/recension/2015-09-28/772234/gloria-halleluja
http://www.hs.fi/arviot/teatteri/a1443498296133
https://www.youtube.com/watch?v=oTd2ogfm3ag
http://www.mustekala.info/node/37684
SOCIAL MOVEMENT
premiere at Kiasma-theatre, May 2012
A group of women moves in the wastelands between the private and the social, the personal and the political, paying particular attention to the soft spots where the boundaries of the self become porous and let things through.
Social Movement first began as a three-performance series, a social trilogy comprising Social Movements – A solo that looks like truth (2006), Life like (2009) and National project (2010). The trilogy is now given a new lease of life in the form of a creature contained only by time (performance duration 2.5hrs). A group of women navigate the wastelands of the private and the public, between the personal and the political. Of particular interest are the soft spots where the boundaries of the self fray and become permeable. In this performative creature all that is broken and all that remains strong is allowed simultaneously to co-exist – giving form to the being that we all jointly embody.
Social Movement moves from the intimate and the outwardly invisible towards the public, the shared, the unignorable. It brings together three performances arising from the same set of questions. Where do I end and where do you begin? Who or what are we? What should we be living together and, above all: how do we relate to the strange, the foreign and the incomprehensible within us and around us. Social Movement is a performative attempt to understand how a multitonal, contradictory, tender, carnivalistic and self-starting community, a society, might be possible.
Working group:
Concept and direction: Aune Kallinen, Jenni Koistinen (Toden näköisesti soolo), Laura Murtomaa (Kansallinen hanke)
Music: Laura Murtomaa
On stage: Seidi Haarla, Pirjo Häkkinen, Aune Kallinen, Maija Kauhanen, Jenni Koistinen, Pirjo Koljonen, Laura Murtomaa, Anne Nimell
Photography and Nykyaika – litteraatti –video installation: Jaana Kokko
Lighting design: Jani-Matti Salo
Concept and direction: Aune Kallinen, Jenni Koistinen (Toden näköisesti soolo), Laura Murtomaa (Kansallinen hanke)
Music: Laura Murtomaa
On stage: Seidi Haarla, Pirjo Häkkinen, Aune Kallinen, Maija Kauhanen, Jenni Koistinen, Pirjo Koljonen, Laura Murtomaa, Anne Nimell
Photography and Nykyaika – litteraatti –video installation: Jaana Kokko
Lighting design: Jani-Matti Salo
http://www.hs.fi/kulttuuri/a1336785604680
KANSALLINEN HANKE - NATIONAL PROJECTSocial trilogy, part 3.
premier at Kiasma-theatre, October 2010
National Project is a performance about Finnish national soul and "Finland", its discrepancies, fickleness, and gender. It reminisces about current and well-worn Finnish myths, remembers them wrong and makes up the rest. It finds and creates national paradoxes. It puts a log onto a woman's hand, removes her national dress, takes her money, language, gender, and continent and then gravely asks which part of the Western imperial heritage belongs to Finland. And then we find ourselves in Africa, the birthplace of man, in the beginning of time and the core of the Finnish national soul. Pop music plays and the American flag flies.
The performance centres on the ideas of being separate and connected, being involved and uninvolved. It also seeks a postmodern approach to issues related to (national) identity, community, and coming together: How has the identity of those in power and those looking for power been built? Who gets heard today, in this country, in this world? Who is left without a voice? Who can vote and on what? Who and what do the defence forces defend? In what way is Finland my home country?
National Project is collaboration between Aune Kallinen and Laura Murtomaa. It is the third part of a social trilogy. The performance also includes work by visual artist Jaana Kokko.
http://www.skenet.fi/artikkeli/11/05/kansallinen-hanke
JUHLAT - A PARTY
Artistic Theatre of Helsinki proudly presents, September 2009 Tiivistämö, Helsinki
concept Aune Kallinen
A Party that includes:
Opening of an Exhibition of invited artists Jaana Kokko and Teemu Mäki
Concert by Hukka, soloproject of Laura Murtomaa
Premiere of Marinas' Thirtieth Love, danceperformance based on a novel of Vladimir Sorokin
Set design Paula Koivunen
Lights Niko Kurola
Dir. Aune Kallinen
Cor. The working group
Experiental Anatomy Satu Palokangas
On stage Karoliina Franck, Heikki Herva, Martti Jantunen, Tero Kaipanen, Paula Koivunen, Paula Laurila, Alma Lehmuskallio, Elina Manninen, Anni Tani ja Ulla Varis
+ guests reading forbidden poetry from the Soviet Union era.
http://www.skenet.fi/artikkeli/09/09/juhlat
TODEN NÄKÖINEN - LIFE LIKE
Premier at Kiasma-Theatre, March 2009
Toden näköinen (Life like) is the second part of a societal trilogy. The first part, Social Movements - A Solo That Looks Like Truth, was performed in art museums in Kerava and Oulu. In the second part the societal themes of the trilogy are deepened and carnivalized. On stage there are five women whose social status, political views, movement language and their way of being present/absent are observed by the public. Performance also includes political music, spoken poetry and a bunny girl.
Toden näköinen (Life like) is based on shared, although at times incomprehensible, reality. It introduces the possible and impossible political dimensions of the personal, questions the notion of an individual and wonders where I end and You begin. It focuses on a shared, political view and searches for a meaningful way of being in the world. The aim is not to possess and solve things, but rather to marvel at ourselves as humans.
How do I encounter The Other without possession? How do I respect something I don't know? How, and when, will we learn to treat Each Other and The Other in us with kindness? Should we?
Direction Aune Kallinen
Music and sound design Laura Murtomaaperformance Pirjo Häkkinen, Pirjo Koljonen, Satu Palokangas, Laura Murtomaa and Aune Kallinen
Light design Kaisa Salmi.
Jaana Kokko's video work Modern times - transliterate is on display in the work.
.gif)